With fierce competition on for places in Dutch National Ballet’s Choreographic Academy, we ask what can the budding choreographers  expect?

In the dazzlingly redeveloped Royal Opera House, Royal Ballet Director Kevin O’Hare talks about exciting new prospects for his company

Brexit risks seriously damaging Dance in the UK, says a new report published by OneDanceUK. Ballet Position unpicks its findings

As she eases into her post-ballet life, Zenaida Yanowsky talks to Ballet Position about the Royal Ballet and the future

Approaching the end of his first Royal Ballet season, William Bracewell helps Ballet Position write his First Year Report Card

With English National Ballet mired in allegations of unacceptable workplace practices, Ballet Position goes behind the scenes to find out

As Rambert puts the final touches to its exciting new project, Ballet Position talks to the three masterminds behind Rambert2

As the stage lures him back once again, Irek Mukhamedov talks to Ballet Position about “performing, acting, interacting, being alive.”  

ENB Principal Laurretta Summerscales talks to Ballet Position about her favourite roles and the current  phase in the company’s history.

Is London’s Royal Opera House the elitist preserve of  a metropolitan middle class? Categorically not, says its boss Alex Beard.